Aug 22, 2017

Posted by in BUDDHISM IN OTHER LANGUAGES | 14 Comments

DOES WATCHING A DANCER WHILE HER PERFORMANCE HELP SPECTATORS COLLECT COUNTLESS MERIT? HOW FRIVOLOUS IS IT! IT IS LYING! (Ngắm nhìn nghệ sĩ múa được công đước vô lượng? Tào lao, bá láp, tầm bậy, gọi là đại vọng ngữ!)

DOES WATCHING A DANCER WHILE HER PERFORMANCE HELP SPECTATORS COLLECT COUNTLESS MERIT? HOW FRIVOLOUS IS IT! IT IS LYING! (Ngắm nhìn nghệ sĩ múa được công đước vô lượng? Tào lao, bá láp, tầm bậy, gọi là đại vọng ngữ!) DOES WATCHING A DANCER WHILE HER PERFORMANCE HELP SPECTATORS COLLECT COUNTLESS MERIT? HOW FRIVOLOUS IS IT! IT IS LYING! In my eyes, there is a female dancer who represents the performance of the Thousand-Hand Guan Yin, the Bodhisattva of Compassion. Behind her are 42 arms with flexible movements in all sorts of vibration amplitude. They represent the 42 noble hands of the enlightened one who has innumerable divine powers and immeasurable merit. It is clear that this performance of the Thousand-Hand Guan Yin is so beautiful and has attracted millions of Chinese audience. It is made by: Lotus Flower Estrade in Song Nguyen Tantra House Director: Zhang Jigan Music: Zhang Shanri Assistant Director: Zhan Xiaonan, He Xiaolan Dancing designer: Li Lin, Wang Shuang, Chen Guihui, Li Bao Performers: Tai Lihua and the disabled dancers Performing unit: Chinese Disability Artistic Society Translator: Rui Ying (The Thousand-Hand Guan Yin dance was live


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